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Title-Every One want to play this game,Size-58''-68'',Acrylic on canvas.2011 |
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Title-Ghar ek Sapna,Size-48''-72'',Acrylic on canvas.2011 |
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Title-Keep safe distance',size-54''-81''inchs,Arcylic on canvas.2011 |
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Title-A Real Super Hero,size-58''-68'' inchs,Arcylic on canvas.2011 |
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Title-Mumbai Local train''Tandoori'',size-36''-84'' inchs,Arcylic on canvas.2011 |
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Title-Mumbai Hamake jam gayil,Size-48''-63'' inchs,Acrylic on canvas.2011 |
Title-Is Jungle se muje bacho,size-42''-42'' inchs,Arcylic on canvas.2011
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 Title-Pick up Point,size-42''-63'',Medium-Acrylic on canvas  Title-Revolution,size-30''-78'',Medium-Acrylic on canvas  Title-City of Joy,size, Acrylic on canvas  Title-Illusion,size-36''-84'', Acrylic on canvas  Title-Ghar Kab Aoge,size-48''-48'',Acrylic on canvas  Title-Cinema Scope,size60''-69', Acrylic on canvas  Title-Mumbai Kal Tak''traffic jam'',size-36''-84'', Acrylic on Canvas  Title-Gandhi Pada - Mantralaya 786,size-54''-69'',Arylic on canvas  Title-Mumbai Calling,size-42''-54'',Acrylic on canvas  Title-Ganpati Bappa,size-48''-60'',Acrylic on canvas  Title-The Real Hero,size-42''-54'',Arylic on canvas  Title-Meter Down,size-42''-72'',Arylic on canvas  Title-Pehchan Kaun,size-39''-42,Arylic on canvas  Title-Forgotten Tunes,size-54''-69''inchs,Arylic on canvas  India Today Magazine /Article  The Week Magzine/Article  DNA Newa paper/Interview/Article  About my 2010 Winner of Asia Art Award EM Art Gallery,Korea  About my 2010 Winner of Asia Art Award EM Art Gallery,Korea Mumbai
The bar-waitress who is Aishwarya Rai to herself, or a trucker’s secret desire to be a matinee idol.
An inner wall of a train compartment that has long been used as an ‘interactive’ site of pasting and defacing advertisement stickers. The texts that assure a better, affluent, trouble-free you.
The colonial edifices that might be dwarfed only by your aspirations. The cabby who drives to the mall, leaving past his days as a textile worker. The Sai Babas, the 786s and the idols that bless us all.
Mumbai… Mumbai is lot of changed from his formation, after Samyukta Maharashtra Samiti achieved its goal on May 1, 1960.Maharastra state is from & Mumbai is capital... State of Mumbai was partitioned into the Marathi-speaking. I explores revisits the formulations that are basic to the perception of space and time in Mumbai. Mumbai is a closed and at the same time open invitation to migrants from all over India & also came from small town village from Maharashtra.Girnikamgar, Dabyawale & Biharis (Bihar & eastern UP) who search for their dreams and their identity while they struggle to make living. City gives shultuer, bread & butter.Thereforeeverone says’ Mumbai ham ko jam gayi’’…. Hence, people from all over India, belonging to different cultures come here to realize their dreams. Language has seen a major shift giving its current flavor which is inspired by the culture of the migrants. Therefore Marthi manus & parprantiy disputes occurred from same politically party. Mumbai has become the melting pot of all Indian cultures. This is the reason Mumbai has a truly cosmopolitan population bustling with activity.
A city of 20 million, multi-headed, enterprising and twice-named (Mumbai/Bombay). Approximately 55 percent of Mumbaikars live in Slums, another 25 to 30 percent live in the Open. The remaining 15 to 20 percent live the buildings, Bungalows or high-rises. The rate of houses in Mumbai increased in this twenty years & it is a very critical condition for a common man.. Instead of Dadar common man now migrated from her & settled in Virar, Vasai…Houses is become a dream for common man’’Ghar Ek Sapana’’….Due to capitalization & Builder loby, the rooms of 10’ by 10’ foot are escape from the hands of the people. On showing the dreams houses slum area is destroyed. I think Mumbai V/S Mumbai because same people living in 10’ by 10’ sq.foot room & on the other hand some people living 3000 sq foot flats….the two sides of life.
Its film industry "Bollywood" also draws a number of youths with tinsel dreams to Mumbai. India's largest Stock Exchange which ranks as the third largest in the world is situated in Mumbai. Here, trading of stocks is carried out in billions of rupees everyday. Like every metropolis, water shortage and traffic jams have become the order of day, thanks to the newly built malls and skyscrapers everywhere. City of joy’’sealink’’every one take pictures & frame it on his house walls, Mumbai is looking like a dream city .On other hand fifty years has been spent to rehabilitation. The biggest slum of world’’Dharavi’’…so I said city of joy is Dharavi…..
There is a perceived, self-engaged, sentimental side to the experience of navigating through Mumbai in a public transport vehicle. ‘Decorated’ taxis & auto rickshaws make their kitsch tore-interpret glam and glitz that the city is proud of.The trains and buses, in turn, are more open and accommodative. They are ready to flaunt your graffiti or even to be assaulted by the selective, playful erasure of instructions that leave a cynical, yet humorous mark. The altered aesthetics enlivens, individualizes the otherwise identical carriages. There is utilitarian value to the act of tearing off advertisements in Mumbai. The cloth banners, torn off the roads, have long served as bed sheets for the poor of this city, whereas the flex banners now are used for making shelters. As an ever-growing city, Mumbai did not wear an identical, planned, embellished look. Mumbai’s ‘subaltern aesthetics’ is not of decoration and colour. It is rather about individual fantasy and collective pain. It then allows the utility of tearing, sees the wicked joy of defacement as incidental to making yourself comfortable
Mumbai has expanded and now encompasses residential and commercial development. The aesthetics has grown with the spatiality and temporality, as perceived by the people. My paintings, as such, populate so many intimate perceptions that it is hard to stamp them as cityscapes. Since last 6 year I am working on Mumbai city. city itself talks to me…perversely I work on “salaam Mumbai’’, ‘’Lifeline 786’’ & ’’B 4 Mumbai’’. .
It also gives you the multiplicity of lifestyle choices coupled with the freedom to choose/grow your ‘village’ within Mumbai. The aesthetics has grown with the spatiality and temporality, as perceived by the people. My paintings, as such, populate so many intimate perceptions that it is hard to stamp them cityscapes.It’s my sites of commuting: sights of perception. This is not meant to be a portrait of Mumbai but rather one of the many possible indexes through which to interpret the city, its inhabitants and how it comes to articulate the nation as a whole.
Raj More 2011
ND TV 24-7 cannel.About my interview
TOP MANAGEMENT HOLDING EU a.s present a art exhibition at FINE ART GALLERY,on Bratislava,Slovak repulic.
RAJ
MORE
Lives
and works in Mumbai
Born
20th February, 1974, Akola, Maharashtra, India.
ACADEMIC
QUALIFICATION
Graduate
from Sir. J. J. School of Applied art Mumbai, Mumbai University.
Govt.
Diploma in Art Education, Pune, Pune University.
AWARDS,
FELLOWSHIP & SCHOLARSHIPS
2010 Winner of 2010 Asia Art Award &
Excellence prize. present by EM ART GALLERY.Seoul,Korea
2006 Junior Fellowship for the Young Artist of the
year, Ministry of Tourism & Culture,
Department of Culture, Govt. of
India.
2003 Hussain-Bendre Scholarship, Bombay Art
society, Mumbai.
2001 Awards of Scholarship for the Young Artist of
the year, Ministry of Tourism & Culture,
Department of Culture, Govt. of
India.
1996 Prize for Best water color, Bombay Art
Society, Mumbai.
AUCTIONS
2011 ''Face Forward'' Fundraising Auction Sponsor
by Audis Husar Fine Art.Los Angles.CA 90067
2010 Art for Dignity Auction 2010 Presented by Samabhavana
Society, Auctions conducted by
Angira Arya & coordinated by
Turmeric Earth. Mumbai
2007 Auction conducted for PLAN USTSAV presented by
Ramola Bachchan and Surina Narula,
Mumbai and New Delhi
2004 40 Artist gives Christ an Indian hue at St.
Francis Xavier in Goa Auctions conducted by German
curator – Rudolf Sancharnet &
Goan Art Gallery, Goa
2001 Save the Children, Presented by Art of Heart’s
Sake, Auctions conducted by Bowering London
at New Delhi and Mumbai. Organized by
Gallery Beyond Gallery.
CAMPS
ATTENDED
2012 Lalit
Kala Akademi,Regional centre organizing ‘’Regional painters camp’’.Chennai.
2011 Art Camp
present by GIHED at Ahmedabad
2011 TNT Art Gallery international artist camp.
London
2004 Invited to the National Camp which is
conducted by Lalit Kala Academy. New Delhi
2003 Invited for Painting Camp Lalit Kala Academy ,
New Delhi.
SOLO
SHOWS
2012 ‘’Metropective MH01’’ at Exhibition
Hall,Faculty of Fine Arts,Vadodara
2012 ‘’MetropectiveMH01’’ at Amdavad N Gufa
Gallery,Ahmedabed.
2012 ’’Urban Acrylics’’
curated by Mr.Ebrahim Alkazi at ART HERITTAGE GALLERY,Triveni kala sangam,New Delhi-1
2011
‘’B 4 Mumbai’’ at Jehangir Art Gallery, Mumbai.
2010 ‘’Swades’’organized by Fine Art
Gallery,Kapucinska 5,Bratislava.Slovak Republic,EU
2008
‘’Lifeline786 Mumbai‘’ BMB Art Gallery Mumbai.
2006
Salaam Mumbai- at Jehangir Art Gallery, Mumbai.
2005
Dhurshti- at Gallery-g Art Gallery, Bangalore.
2003
217 Art Gallery, Mumbai.
2002
Light & Shadow- at Jehangir Art Gallery, Mumbai.
2001
‘’The View’’ at Lalit Kala Academy Ravindra Bhavan, New Delhi.
1999
‘’Pachola’’ at Roof Top Oberoi &
Y.B.Chavan Art Gallery,organized by ING
Barings Bank. Mumbai.
1998 My
childhood village- at Jehangir Art, Gallery, Mumbai
1994
Water colours-Sir J. J. School of Applied Art Gallery, Mumbai.
GROUP
SHOW
2012 ASYAAF Curated by Dain Oh at Gallery
LVS,Seoul.Korea
2011
Confluence- at BMB Art Gallery Mumbai.
2011
SOFA Curated by Johny ML at India Art
Festival,Mumbai.
2010 '' Dimensions in time
& space’(3 artist show) curated by Mr.Ebrahim Alkazi at ART HERITTAGE Gallery,Triveni
kala sangam,New Delhi-1
2007 ‘’SpanDan 3,Aricullate Art Gallery,Fort.Mumbai
2006 ‘’SpanDan-Vibration’’,Aricullate Art Gallery,Fort.Mumbai
2002 ‘’Bombay
Boys ‘’ Indian Habited Center Art Gallery,organized by Gallery Beyond. New
Delhi.
1999
Art Walk at Artist Center Gallery, curated by Lisa Ray (Model & Actress)
& Nisha Jamwal
(Art Critics)
1998
Tasweer at Indian Habitat Center, New Delhi.
All
major exhibitions in national& international level since 1992.Lalit kala
Akademi National level exhibition 41
& 42.SEVERAL INDIVIDUAL COLLECTORS IN INDIA & ABROAD
STUDIO-Raj more.AkurliOm
chsl,A/71,plot no-12,Lokhandwala complex,Kandivali(e) Mumbai-400 101.India
Tel- +91
9967652362,+91 9167308579.Email-rajmor@gmail.com,moreraju@yahoo.com
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Truly Amazing work.I liked the use of bold colours,the concept behind each painting.Awesome!!I am glad to know you as an artist....do visit my blog as well whenever you find time.
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